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SIN CITY
This is a COLOR COPY of the ENTIRE script. These autographs are of the following cast members:
BRUCE WILLIS ....as "Hartigan"
JESSICA ALBA ....as "Nancy Callahan"
BENICIO DEL TORO ....as "Jackie Boy"
ELIJAH WOOD ....as "Kevin"
JOSH HARTNETT....as "The Man"
BRITTANY MURPHY....as "Shellie"
MICHAEL CLARKE DUNCAN....as "Manute"
MICHAEL MADSEN ....as "Bob"
CLIVE OWEN ....as "Dwight McCarthy"
ROBERT RODRIGUEZ ....Director
QUENTIN TARANTINO....Special Guest Director
FRANK MILLER....Writer
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Movie Year: 2005
Writer: Frank Miller
Directors: Frank Miller Robert Rodriguez
Special Guest Director: Quentin Tarantino (paid $1 to direct an extended scene)
Draft: Final Draft
Pages: 118 pages
The Eisner Award-winning comic series -Sin City comes to life in this live-action feature adaptation from director Robert Rodriguez and creator Frank Miller. Interweaving multiple storylines from the series' history, this violent crime noir paints the picture of the ultimate town without pity through the eyes of its roughest characters. There's the street thug Marv (Mickey Rourke), whose desperate quest to find the killer of a prostitute named Goldie (Jaime King) will lead him to the foulest edges of town.
Inhabiting many of those areas is Dwight (Clive Owen), a photographer in league with the sordid ladies of Sin City, headed by Gail (Rosario Dawson), who opens up a mess of trouble after tangling with a corrupt cop by the name of Jackie Boy (Benicio Del Toro). Finally, there's Hartigan (Bruce Willis), an ex-cop with a heart problem who's hell-bent on protecting a stripper named Nancy (Jessica Alba). Featuring a who's who supporting cast that includes Elijah Wood, Brittany Murphy, Devon Aoki, and Nick Stahl, Sin City promises to be one of the most direct translations from page to screen of a comic series, with shots and dialogue adapted straight from the original comic's panels.
Rodriguez quit the Director's Guild when they refused to let Frank Miller co-direct the film, a deal hashed out after the two collaborators developed and shot the opening scene utilizing a green-screen process to harness the stark, black-and-white look of the books as a litmus test for the rest of the production. Quentin Tarantino was brought in and reportedly paid one dollar to direct an extended scene between Del Toro and Owen that amounts to one issue of -The Big Fat Kill miniseries.
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All scripts offered are of various drafts (from early to later shooting drafts-please check the draft information above). Scripts vary from slightly different-to-major differences from the final movie. These changes are normal and certain movies may have dozens of different drafts and several writers.
Also, some scripts may be slightly light in type or have darker inserted pages (produced from color shooting pages). It is not unusual to have some missing pages from the older scripts. We are careful to note the draft, writer differences from the final credited movie, missing pages, and original typed quality. We do not list any scene, name, or character changes, or any editing differences of the script vs. the final movie.
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